| Greetings
For over 20
years, I’ve been longing to visit Paris. I’m not sure what was so compelling
about the city. Perhaps it had something to do with losing my French father when
I was 23 years old. I yearned for what he never gave me. I thought I'd find it
in Paris.
I was in Paris on a "Writers Tour" with Cynthia Morris, a life coach from Boulder who coaches writers. I was hoping to find my Muse. We were there to visit the homes and hangouts of the expatriates who went to France in the early 1900's to explore their creative freedom. My son-in-law's great aunt, Janet Flanner, was one of those writers. She wrote a column for The New Yorker under the pen name of Genet. While I was there, I kept finding feathers on the ground. My muse told me it was Janet who was dropping those feathers for me.
After a bit
of a rough beginning (severe jet lag) I settled into my room at the Hotel La
Louisiane in the de Saint-Germain-des-Pres neighborhood for 10 days in the City
of Lights.
Each day
after the morning adventures with the group, I'd come back to my room, take a
bath in the very deep bathtub, prop my feet up and decompress for a hour or two.
Many of the people on the tour with me were from Denver and Boulder so hearing
stories of familar places made me homesick for Colorado. I lived in Denver for
many years before moving to California in 1987. My stay in Paris contained some
mind-blowing experiences as well as some pretty desperate moments. It was the
best of times. It was the worst of times.
At a
cocktail party one night in an exquisite home right under the Eiffel Tower with
American writers living in Paris, I felt as if I was starring in a movie. I had
to keep telling myself. This is real. You are here. You are one of these people
— an American writer in Paris. Contrast that experience with a 2-hour episode
when I was so lost I couldn’t find my way back to my hotel. Common sense tells
me now I could have hailed a cab and ended my misery quickly. Didn't even occur
to me in the moment. Cynthia said we'd have meltdowns. I had a few.
At the
Auberge Pyrenees Cevennes, a fine French restaurant, I spotted a book entitled,
"The Essence of Style, How the French Invented High Fashion, Fine Food, Chic
Cafes, Style, Sophistication and Glamour." That pretty much sums it up.
At the Pere
Lachaise Cemetery, after visiting the graves of Gertrude Stein, Collette, Oscar
Wilde and Edith Pilaf, I saw tombstones with my family names on them — Duclos
and Laurent.
On a more
practical note, the Parisians don’t pick up their dog poop. That dirty job is
left to the street cleaners who are out there early every morning in their green
vests with their green brooms cleaning the streets. I feel for those poor French
bulldogs who have to poop on sidewalks. How humiliating. I saw homeless people
begging for money outside the cathedrals. One was dressed up like a priest,
prayer book and all. Every morning as we gathered to begin our jaunt for the
day, the same homeless man was there with his dog and his grocery cart full of
his precious belongings.
On my last
night in Paris, we took a boat ride on the Seine. What a delightful way to end
our time in Paris. I really wanted to be in love that night. So I just bundled
up in my own arms and told myself that in God's time — not mine, I would be in
love again — not like I was at 22 with Howard, but a more mature love based on
growing together spiritually.
Back home now in California, the box I live in (my home) doesn't feel suitable anymore. It smells like an old museum that contains a history I don't want to live in anymore. My first instinct was to rent a dump truck, pull it up to the front door and hall everything to the dump. I am exploring these feelings through writing.
Paris has
made me want more of the finer things in life. I've made a promise to myself to
visit art museums in San Francisco, go to the Pacific Coast (ocean) once a week,
to have more gatherings with friends, take more risks; and simply live my life
more passionately, sharing my open heart with more people.
"It is the
function of art to renew our perception. What we are familiar with, we cease to
see. The writer shakes up the familiar scene, and as if by magic, we see a new
meaning in it." Anasis Nin
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